![]() ![]() ![]() Some modes switch layers when a new note arrives, such as Round-robin and Free-robin, which pass each note (or individual chord notes) to different layers Free Voice, which targets unused layers first (ideal for creating polyphony with Eurorack hardware) and Random and Random Other, which spread things out (particularly nice with a pile of different audio FX).Īnd any of these modes will take the same sequence of notes and transform it into a new bouquet of sound. 14 filter types available for each band.Solo of individual bands directly in the editor.Configurable Pre- and post-spectrum displays (with optional external reference). ![]() Range selection: good for subtle detail work or radical reshaping.Freely assignable bands with quick mouse gestures (just click on the curve).This way you avoid populating similar parts of the frequency spectrum with different tracks.ĮQ+ is optimized for high efficiency, yet offers pristine audio quality. Another feature we’ve included for the EQ+ is that you can select a Reference track and it will be shown as a purple curve inside the spectrum display. Seeing frequency settings colored predictably creates a kind of sonic muscle memory, connecting sound with visuals. It's a feature-packed graphical equalizer with up to 8 bands, excellent visualization, mouse gestures, and new algorithms.Īnd while it is a graphical equalizer, EQ+ goes a step further by applying a rainbow color spectrum to the EQ curve, which can also be seen in EQ-2 and EQ-5. So there is definitely room for improvement here.Īnyhow, Bitwig was very long in development but I guess we still have to wait several point versions and see if they catch up with Ableton Live.įor now Ableton Live is so much better and there is no need to switch to Bitwig for me.EQ+ brings a new look and modern sound to Bitwig Studio. Max for Live is so powerful and amazing tool I could not live without (and I guess many others will agree).ĭid several tests with projects that are about the same for Live and Bitwig (mostly simple projects without effects) and Bitwig uses about 20% more CPU time on my i7 MBP to play it. The lack of Max support is incredible disappointing. There are some good ideas thrown in (changing pitches for sample loops is nice) but it just doesn't feel solid. Playing for about 2 days with it for hours but sadly it cannot convince me to switch from Ableton Live.Īlthough it is obvious Bitwig is made by ex-Ableton coders the new approach has many quirks that slow down my process. I was looking forward to give this a swing. Welcome to the next generation of music creation and performance software for Windows, Mac OS X, and Linux. Every feature in Bitwig Studio was developed by musicians, for musicians. Bitwig Studio's unified mapping system allows you to modulate any device or VST parameter using macro controls and modulator devices.Įxplore a new world of creative possibilities, including audio and note expressions, histogram-based value editing, layered editing, extensive bounce-in-place functions, automatic slicing, smart controller integration, and the Open Controller Scripting API. Combine built-in instruments, effects, and VST plug-ins. Design your own sounds with dedicated container devices. Record and arrange, improvise and perform, or do it all at once. With Bitwig Studio, you're in command of a workflow that works best for you. Streamline your creative process and quickly take your music from ideas to complete songs, tracks and compositions. Bitwig Studio inspires you to take greater control of your productions, giving you access to every aspect of your workflow as needed. Bitwig Studio is a dynamic software solution for music creation and performance to realize all of your musical ideas in every stage of production.įrom sound design to music creation, discover the new standard in customized workflow. ![]()
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